Every so often, a truly distinctive gem emerges amidst the sea of fuzz circuits that pay homage to the iconic Fuzz Face, Tone Bender, and Big Muff designs.

These moments, however, are far rarer than one might imagine. The prevailing trend often leans towards replication rather than innovation. Admittedly, this has its merits; I find solace in the likes of Analog Man, artisans who meticulously breathe life into vintage fuzz circuits.

Yet, how refreshing it is to encounter a breath of contrast. The Speebtone Jerkulator pedal, a revelation upon my first encounter through a video demo, stands as a prime testament to this refreshing departure. It refused to tread the well-trodden path of traditional fuzz pedals, carving its own niche.

It’s often debated whether the Big Muff circuit is distortion or fuzz. Although both distortion and fuzz are hard-clipping circuits, the Muff is definitely a fuzz. But it was the first step toward the distortion pedal.  

Once in a while a pedal company comes along that makes exceptional gear. This is not to say that other companies put out inferior products. It's just that sometimes someone is so dedicated to an idea or product that they spare no expense.

Over the last year I’ve been looking for pedals that carve their own path. I have no problem with traditional effects. I own and adore a lot of them. However, I’ve been scoring music a lot for tv and film and I’ve been creating sounds less then typical. 

Years ago, in a far away universe, I purchased my first fuzz pedal. It was a Dunlop Fuzz Face. When I got it, I was confused by the sound. It seemed kinda dead and lifeless. Rolling back the volume knob just made it sound more dead.